Kelly R. Samuels

Post-Exertional Malaise

When I act as if I love

all whom I say I love,

it follows. It manifests

mid-afternoon sure as the sun

regularly and with no remorse

continues to fade the one plum-

colored chair through

the large front window.

I am found lying

on the couch, nursing an ache

particular to the left temple,

and only dimly recalling

some of the capitals of each

and every state in this wide

and varied country.

Understand I cannot see to

reply in gracious, kind ways

just yet, maybe never.

Nor always embrace

upon departing. I am only

now rising past dusk

to go in search of something

I am sure I lost. I have forgone

holiday cards. Do not wait

for word.

~

Mishearing After I Work the Women’s Throws

It was before noon, the sun

hazy from northern wildfires.

He walked and talked with

another coach, making quick

time on the path leading to

where the athletes would throw

themselves onto mats, landing

square even in rain or

snow, safe in the interior

space from fine particulate

matter. I wondered in what way

he would work their throats—

if gently, loosening the knots,

or how Othello had on

the Signet Classics cover:

clasped and determined, resistant

to delay or bargaining.

I was hopped up on caffeine,

distracted by the sonic tamping

of neighboring ground, thinking

of the disused building I had

just walked through, its stairwells

and doors serving

only one way.

He might have been

muttering, too, or not one

to enunciate. Do not ignore

the consonants, she would advise

all those late afternoons I recited

Frost poems in a near-empty school

for future competitions in larger cities—

the birch tree and the lone

branch letting him down ever so

gently. Listen, she’d say.   


Kelly R. Samuels is the author of two poetry collections and six chapbooks—the most recent Oblivescence, a finalist for the Edna Meudt Poetry Book Award (Red Sweater Press, 2024), and Sisi: Re: (Whittle Micro-Press, 2026.) She is a Pushcart Prize and Best of the Net nominee with work appearing or forthcoming in Denver Quarterly, Blue Earth Review, Sixth Finch, Poetry Northwest, and The Glacier. She lives in the Upper Midwest.

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