Tina Cartwright
Open. Open. Open.
He turns to scream at me. His hands lift off the controls. The pod veers into oncoming traffic. Behind his rabid, jutting face I see other pods ignite force fields and pulse warnings. I make myself small. I am a dog on its back, belly exposed, eyes rolling. My skin is grass in the chill wind. My scalp curls away from him. He yells. He spits. His eyes jitter. The pod quakes and judders. A Commuter Ship bears down. He swivels the control toward it.
~
What did he say before he did it? the panel ask. The woman with the curly hair and string of beads leans in. Can we get a reading? she asks toward the door and one of the assistants comes in with the reading station to check if I am physically sound enough to go on. I’m fine, I say, trying to wave it away. Take a break, the woman smiles. He said, I hate you. He hissed, I hate you.
~
We are not supposed to get angry. I mean more, we are, we can, but we have been trained to let the anger sit inside us, to let it flame up and burn out. Gone. The anger is ours and it is not to be cast at another. I can do it, take anger in by moving, making my body large and jolting about the space, but the aim, the goal of the training is to take anger in like breath, just another part of being human.
Training starts before we can speak. It is the true beginning of life when we can go out into the fields and the mountains with the others and learn to become who we are. Very early on there are some of us that are doers, some are thinkers, and some questioners. It is my job to bring the outsiders in, which I suppose I think is strange since I have more than a toe outside myself. That might be why he liked me in the beginning. He often said that we were the same.
This is harder to relate than I thought. We believe that it is impossible to hide anything, impossible to obscure any belief, thought or inclination. We have been trained, convinced that to be alive is to be fully Open and to be fully Open is the only desirable state. We will never hide because hiding is childish, stunted and silly, not to mention impossible.
We live on one of the closest PODS to the old earth and although we have people who can do anything, our POD is named T-POD since we specialise in the training. Envoys come from far flung planets, or from other PODs identifying new things to incorporate into the training and we get to work quickly testing and blending and adding this new element into the training schema. For me, the interesting thing is that any new training has to be the most efficient, the most instinctive, not only for all humanity but for every species, and of these we are always discovering more out there; so I find it busy and enthralling work.
In each of our home pads one chamber is reserved for visiting species. Anyone might come at any time. Sometimes they are flooded with water for the new Cetaceans and sometimes they are sucked of air for the Xy-2s. When a new visitor comes to my pad a flash of knowledge will enter my thoughts and I can begin to prepare. I know instantly that Dlith will require one flat pillow to hug and one lumpy pillow for his head. He will need cooling, fur slippers and three old songs before sleeping. These things lead me to believe that he will be older than he is.
When I open the airlock he steps in, pulling off his helmet with a suck-pop, his spidery black locks quivering into place. I will say that I do stand in the small hallway and watch as he strips off the rest of the suit and only then do I step back when I see that he is the perfect shape. His body is a magnet for mine. I feel the force of it immediately and have to turn side on, so as not to stand very close to the muscled shoulders and proud chin. We do not usually speak in words unless it is absolutely necessary but he goes on and on, he’s been on an expedition, done the weirdest mind blend with a giant slug, what do I like and do I know any old songs? He puts his head on the side and watches me with his deep, dark eyes. Do I sing by any chance?
~
Dliiith, I say. My voice is fractured, quaking and breathy. ‘Dlith,’ I say again in the low and firm tone you use with a ferocious dog. Let me out, I say. I look at the pod hatch eject button but we are on the Zip, the fast highway returning from the Rest Moon. Just now we have passed the last Zip station and there is nowhere else to disembark. I am trapped. With him. The pod lurches wildly. His hands make fists and he almost lets go. Please, I say, and there’s a sob in my voice. But his anger has eaten him. You’re just like them, he screams, slamming a palm onto the controls. Earlier, he overrode the autopilot like he always does, the first time he did, flashing me a smile and saying, I like to be in control. I remember because I told myself who am I to take away his pleasure? Why was I not trained against myself?
~
Three weeks after this when I am deemed recovered the panel will ask me if he made me do the Open Ceremony. Before I can answer one of them, an older man, will scoff, how can anyone make someone do that, it’s elective! I glance at him as he realizes what he’s said and we both know he will lose his position. In fact, he gets up and leaves to report himself before I can answer. I find it an interesting question because the most loving and honest thing you can do is the Open Ceremony. Sometimes we are matched up and strongly advised to do it. The most honest and senior among us has often done the Ceremony with beings that we can only ever imagine exist.
Why have I done this Ceremony with Dlith? Not to prove anything. Not because he asked me. Not because he wanted it. Partly, I realize, because I felt sorry for him and partly because I loved him; but mostly—above all else—because I believed in myself. I believed that the absolute power of my Openness could heal.
A Vam with flickering green eyes and narrow suckers, brings them together and leans across the table toward me. How well did you know him when you undertook the Ceremony? Did you know what he was capable of?
Yes, I think, I did. I just thought I was capable of more.
~
It seems like I agreed to the Ceremony on a whim, but I have been thinking about it for a long time. You see there is the beginning and then there is the truth. In the beginning Dlith and I will wake up together, we will turn away from one another and select our skins. Sometimes I like my tough feel of scales, slightly damp and that sodium chloride smell mixed with earth. I feel like swimming, I will say from within my new skin. He often chooses the lion skin. In the wash cube he’ll creep up behind me, I know he is there of course, and roar. I will pretend to be scared and we will laugh, lion and alligator face in the mirror. Who would win in a fight, he says, wistfully. In the afternoons we’ll lie out and look at the purple sky watching ships come in and I’ll stroke his mane away from his face. But we have no training on love and it is harder than it seems. That we have no training on love seems strange to me now and the more I saw he desired and admired me, the more he wanted to possess me, and the more he wanted to possess me, the weaker he felt, and the weaker he felt, the more he hated himself.
Soon, he wanted to know every single little thing. What was that alert that I just got? Why did that flicker of frown pass my face? Was he not the best thing I’d ever experienced in my entire life? If I did not give the right answer with the right enthusiasm fast enough then he became furious, bursting in the face, swollen with yellow bile and red vengeance. In trying to avoid this I learned to speak his truth. But no reassurance was enough. I should have known that nothing would ever be.
~
At the Opening Ceremony we are naked. There are hundreds of other naked pairs surrounding us in the metallic-grey landing hall, which is empty of ships. I am watching Dlith from the moment we walk in, hands outstretched to one another, so of the others I only register that the pairs are all different colours, species, sizes, shapes. In the far corner I see a senior I recognise, a Flying Ray, rise onto its tail in order to embrace a tiny black-and-white bee. It brings tears to my eyes, since what we hope is to bring the Ceremony to as many beings as possible. It is elective but we hope ALL will do it, as much as possible, with anyone and every being.
It’s true I take quite a glance at Dlith’s body before locking into his dark eyes. There is no form to this so when we are ready we plant our soles on the cool floor and stand right up close to one another. When our palms press against one another, the floor raises slightly on my side so that we are eye to eye, nose to nose, chest to chest. I listen for the sound of his heartbeat. We match as much of our skin as we can, our forearms are flat against one another, and our palms too. Although we have experienced one another sexually many times this has nothing to do with that. This is better. His eyes are too close to mine to see them properly. What I do is make them mine. I see them perceiving me. I fall into their darkness, at the same time as sharing his breath. We breathe as one. Hour on hour. We breathe and see as one. We become one being. I feel his chest say, this is me, this is the how of me, this is what I believe. I do the same. Hour on hour. I hold all of myself Open. I let him feel my doubt. I dissolve it right now, with him as witness. There are the scars of childhood, the years of neglect, the misunderstandings and the slights. I am surprised by his capacity for revenge, and momentarily he flickers closed, defensive against my judgment. We stall. And then Open, Open, Open. I can see what he is. I can see how small he is inside. But this is what I wanted. If I am Open, Open, I can give it to him. I am him. Can’t he see. We are we.
Weeks afterward we are having breakfast and he pours himself a glass of juice and moves the juice away from me, though he can see I want it. I am not sure whether to reach for it. Should I ask for it? He pretends to ignore me. I get up my courage and ask for some juice. Instead of handing me the bottle he snatches my glass and half-fills it, placing the juice bottle back on his side out of my reach. A bit more please, I say, and realize that I am I straining to keep my voice steady. Huffily, he unscrews the juice lid and violently floods my glass. There, he says, as the orange juice spreads over the table and pours into my lap.
You weren’t Open, he says.
What?
At the Ceremony, you weren’t Open. You were faking it. You’re such a good actor.
The air sparks. I do not know what he will do. Is there something I can say to diffuse? But also, I feel like crying because I have failed. My Openness was not enough for his distrust, for his self-hate.
After the Open Ceremony we will be laughing, I will be telling how training of a bunch of newcomers is going, telling my anecdotes that I have saved up for him, and he will laugh with his neck bent backwards, but then when he brings it back to look at me, all the joy has leaked out of his eyes and I will be looking at the abyss. You are supposed to Hold Open forever with that being that you do the Ceremony with and he will say I caught that. What? I ask and he will laugh because after the Ceremony either you close everything or nothing at all. I had had a tiny thought that I had talked more than ever with him, and that I found it exhausting. I had thought that might be a good moment between us, one in which I could be myself, a contemplator and not a speaker, but no, he says that if I do not speak, then I am not doing my share and so I do, even though it is very hard and tiring for me.
One afternoon he comes home happy. I am at my console in the living area and when I turn back to hear him enter, he is pulling off his helmet, and I am waiting for his eyes to appear, like that first time. Things have been hard. Words and thoughts have been hard. Something that was big inside me before is now made of the thinnest glass. I am a trainer and surely I should have known. But today his face is bright and his eyes soft and brilliant and my body does that thing where it leads me to him.
I have a week off, he says, pressing me against him. I stop myself from looking back at my console and I admit I kiss him to try and keep him from catching my thought which is that I am on deadline. We have recently incorporated a new bunch of species, most of them touch thinkers, and now, I need to adjust our most intimate training sessions, somehow melding pinpoint sensation with holistic instinct. Sometimes I get carried away talking about my work, and then he thinks I think it’s more important than him. I do not yet see that there is no way to satisfy his self-destruction. So, I enthusiastically agree to go to the Rest Moon with him for a week. This means that for three days before the trip I must work eleven hour days while selecting my words carefully and still giving him enough attention.
~
Why are we trained to identify danger and not power? Power is the most fearful. I said that to Dlith once, and he laughed, and said, you have to seize it. No one’s going to give it to you, you have to take it. I hum, because I am thinking that he needs retraining. I rush my thoughts on to the task we are doing because I know my next thought and I cannot think it in front of him. It is my duty to report that he needs retraining. And yet, if I do that he will come out different. Can I do that to him? Should I?
He has a whistle that he plays with the tiny gusts from the movement of his toes. While it rises and hums, he sings. I think he knows how badly I want him to sing for me, because he only does it when I don’t need it. I am not allowed to ask for it. It surprises me to know that I just want to be loved like I love him.
~
First thing when we embark the pod to travel to the Rest Moon, he has forgotten to refresh the air in the flux chamber, and we will have to stop somewhere and do it. Somehow this is my fault even though we take his pod. He will not let me control. He never does. He says his pod is bigger. I say mine is more efficient. He says he’s the better controller. When we are in and initiating our restraining fields I get an alert. I open my palm and glance at it quickly. How stupid is it that it pulses red. As I register it, Dlith sees and then I see that he sees I have seen. A blistering chasm opens its white jaws in front of me. Inside is whirling space, waiting to suck me in. Instead of getting out of the pod, instead of scrambling for my life, I breathe calmly. You’re an excellent actor, I tell myself. What did the alert say? he asks zipping the pod into the air, zinging toward the exit. Hackers, I say. I hope it wasn’t me, I sound tentative. Someone hasn’t followed shut down procedure at work. He nods and I cannot tell if he believes me or not. The alert said: WARNING. WE BELIEVE YOU ARE IN A POD WITH A REPORTED CONTROLLER. DLITH V. MELLOR IS RESCINDED FOR RECKLESS CONTROL. DISEMBARK NOW. IMMINENT DANGER.
~
At the long table in front of the panel I tell them I’m happy to let them go in and explore my past thoughts, but we both know my reporting of the incident is more important than what really happened. My eyes ache from the reckoning. Am I safe? Why did it take them so long to alert me? I had been in the pod with him many times before. Later, I will find out why. Surely he will be excluded. He has killed someone. Not himself and not me. I am supposed to feel lucky it wasn’t me, but I feel guilty. I cannot reason at which point I crossed the battlelines not only against myself but against others. Warning after warning and I chose love. I thought I did.
One of the seniors picks up her string of chestnut-coloured beads and lets them fall against her collar bone. Softly, she says, might you please tell us what you were thinking when you stayed in the pod after receiving the warning? Why you didn’t then activate the emergency alerts? This is a very, very good question and I wish I had a better answer. The truth is I was frightened. I had sort of been corralled by him, into believing it was him and I, that the greatest act of my life would be to trust him above all others.
~
I manage to survive the week of holiday. There are fights and crying and confessions and me so careful, so measured, so caged. I dare not stare too long out the window, lest it seem I wish I was elsewhere. I dare not struggle to sleep, or eat or shit, lest he interpret this struggling as rejection. I must listen to him lie across the fake, old-timey, brown shag flooring of our holiday pad and play that damn whistle with the wiggling of his bristled toes, for hours on end, and I must not once register on my face how much the sight of his feet now makes me cringe. My head hums with exhaustion. My face is not good enough at hiding my exhaustion so I take to plunging it under the cool faucet many times a day to brighten it, so that he will not say, you’re supposed to be on holiday, with a deepening frown. Am I hard work for you? Don’t you enjoy my company?
On the last day of holiday I have been especially careful not to be too cheerful. I do not think about reporting myself and requesting to change pads and never going home so that he will never find me. Because he has broken down crying now, telling me how it wasn’t his fault that his control was revoked, there was a pelican in the cross path. I hold my face very still. I have never seen a pelican in my life.
I have made it through the week. I have and we are on the way home. I must just survive this last thing. Down in the exiting port we are stuffing the hold with our special pillows and left over berry treats. I make a play for control. I’ll get out of practice, I say. Pfft, it’s not hard, he says, and he shrugs, his finger on the hatch button. I hold my breath. Next time, he says.
Ten minutes into the twenty minute flight back he erupts. Why did you want to control? he says. You don’t fucking believe me, do you? After everything we’ve been through. I trusted you! God, it’s hard to hide your thoughts from someone you’ve Opened to. It’s hard to shutter your eyes, wear your face in the right way. And I had done it. I had nearly done it. Now, he is screaming and I am shivering.
Dlith! I shout. Please stop! Oh my God! We will hit the Commuter Ship. I see its yellow side crowd the window. I scream and shut my eyes.
Hands on the controls he looks at me with his eyes bucked, whites showing, and his arms stiff. I sense what he’s going to do. Nooo! I cry. I am bawling as he flicks the control rightward and the yellow of the Commuter Ship engulfs us. A monstrous bang. My head falls into blackness. It rockets. Am I falling or flying? Am I dead? Crashing all around us. I am here again. We have hit. We are rising. I think we will be flung so high that we’ll flick over the barrier force-field and out into space. My mind tries to recall the training. What to do in the unlikely event your pod plunges into hard space. Eject. Suit up. Where are the suits? No, this is not the order. I cannot remember. But no, we are smoking and grating to a stop along the protective runnel of the Zip. Someone, perhaps the driver of the Commuter Ship, has activated the Emergency safety runnels.
~
Weeks later, after I have been healed from most of my injuries, some of my bones broken and rebroken, stitched straighter and using that new, incredible electric bone growth starter they’ve manufactured. I feel good. Alive. Whole. But I don’t particularly feel like myself. I cry in the wash cube and am praised for it. Better to process than to withhold, although of course I am permitted to do both. That day Dlith has injured many beings, given them fear and trauma, when what he wanted was to hurt me, which became to him, the same as hurting himself. I will tell this to the panel.
It turns out Dlith is the better actor because he has already been retrained once. That is why it took them so long to see that he was still a threat. In a glaringly similar situation to mine, it was not veering to miss a pelican that made them rescind his control, no, it was after he hit a woman. A woman, like me, that he said he loved. She has died. He has killed her. It was Decided that he hit her on purpose and the panel will permit me to read his statement in which he claims that he didn’t know what came over him, he was a good person, he only wanted to scare and punish her, for lying, for pretending to love him. What will happen to him? I ask. They do not yet know, but, they say he will never, ever be given any opportunity for any type of power. But we already know that, I say. That’s why we do the Open Ceremony. We know that when someone feels powerful their sense of collaboration, their empathy and Openness dissipates. Not everyone, they say.
I am given a promotion. I am made a Teller. I am supposed to Tell about Love, and when I go all around the PODs and talk with all beings, I always start with this story because if someone asks you to trust THEM more than YOURSELF that has nothing to do with love. AND if they start to Tell you yourself, that’s ludicrous and vile too, and you must not believe them. Then I go on a bit about Holding Open and about how when you get to it the self doesn’t exist, not as this separate thing, and sometimes I’ll look out across the audience and see the fangs of an Ipyll gleam, the wiggle of an Eem sensor, bright blue and sparking, and I’ll think, this is me. Sometimes too, I look like me and sometimes I talk from within my Alligator skin but always, I am Open, Open, Open
Tina Cartwright (she/her) is a writer and healthcare worker living on Wurundjeri lands in Melbourne. Her manuscripts were longlisted for the Michael Gifkins Prize for an unpublished novel in 2023 and 2024. In 2025 she was a finalist for the Tasmanian Writers’ Prize, longlisted for the Commonwealth Short Story Prize and Highly Commended in the Boroondara Literary Awards. She is a 2026 Small Fiction Nominee.
