Francis Luo

Self-Portrait As Young Love

            for K.N.

 

In December, my friend offered to murder me

in the Sierra Nevada, and I accepted. We drove

up crumbling mountain roads until snow fell 

off of trees and out of clouds: melting clumps 

setting the stage for next year's ruthless road 

erosion. The pine needles spoke cold silence. 

In a darkened snowy clearing, we set off fire

-works that gleamed like stars in the blank 

night, then went supernova. Ooh and ah. 

The anxious sun rose, standing over snow 

marred by black remnant ash that we ref-

used to clean up. I sent an ecstatic laugh 

or cry into the sky like a flare, luminant 

as it danced through the uncertain gray

pallor, and had to be symbolic of some

thing. Later, twig-thin rivulets of red 

seeped into crystal white, spurting 

forth from cold hands above snow

above soil where an earthworm

could fertilize growths of green

or flowers the following spring.

My friend drove back down to

the Bay alone.


Optometry 

"Your vision is like mine," says the optometrist

in his cream-white microfiber voice. Clanky

 

machines, pretentious whirring lenses, are waiting

silently in the corner of the room to be used. "Myopia,"

 

says the optometrist, "which is just nearsightedness.

Did you know that's what it's called?" An answer tumbles

 

like a pancake out of my mouth, and he cuts me off.

"Are you applying to schools this year?" asks the optometrist,

 

and I tell him I will be next year, and he says nothing.

The lenses cast their ocular magic over my eyes.

 

Click, whir, clear, blur.

 

"Do you wear your glasses while driving?" asks the optometrist,

and I tell him no, I don't drive, and he tells me I'll need

 

to bring them to my driving test. On the monitor across the room,

my eyes perceive crisp sans serif letters as the vague

 

orangey purple proportions of clouds at dusk, streaming gloriously

past the windshield during my crepuscular car ride

in the passenger seat, and I tell the optometrist, I still see

 

the retreating figure 

of the setting sun.


Francis Luo is a writer based in the San Francisco Bay Area who has recently been published in Echo Literary Magazine, the Incandescent Review, and Crashtest Magazine. He's constantly surprised to learn that he writes more poetry than he thinks he does.

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